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This is a medium shot that shows two characters within the frame.

Pretty straight-forward but can be pivotal in establishing relationships between the characters. Jackson) and Vincent Vega (John Travolta) shooting Marvin in (1994). This shot normally frames the subject from the top of their head to their feet whilst capturing their environment.

However, as it’s a tough shot to get right, actors really need to be on their A-game when filming and a little patience goes a long way.

ICONIC EXAMPLE: The moment Chief Brody (Roy Scheider) realizes his worst fears have come true when first seeing Jaws. This is where the camera is positioned behind a subject’s shoulder and is usually used for filming conversations between two actors.

This unnaturally close view is used sparingly as the multiplication of the subtlest movements or details need to be justified in the dramatization and boldness of that particular scene.

ICONIC EXAMPLE: Charles Foster Kane’s (Orson Welles) mouth as he utters the famous word “Rosebud” in (1941).

Plus, the character already has her own series, The Moneypenny Diaries. In that time, there will be dozens of actors who will make a name for themselves, enough to catch the eye of the franchise's casting directors.

The only thing I know for certain: When the next Bond movie comes out, and the next one, and the next one, I will watch the living daylights out of it.

This shot sees the camera track forward from the actor whilst simultaneously zooming out, or vice-versa.But another noteworthy one I can’t pass up is the shot of Aldo Raine (Brad Pitt) and Donny Donowitz (Eli Roth) during the trunk scene in (2009).In contrast with the low angle shot, this one films from a higher point and looks down on the character or subject, often isolating them in the frame.This popular method helps the audience to really be drawn into the conversation and helps to focus in on one speaker at a time.Seeing as the non-speaking actor is seen only from behind, it’s common for major production sets to substitute actors with stand-ins or doubles for these shots.

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ICONIC EXAMPLE: Opening scene of Alex De Large (Malcom Mc Dowell) in (1971).

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